First blog of 2017 and its about SUGAR our new show to be previewed in March.
It’s a first stage development production, which means just that, its in its first stages of development.
Who is the cast? We have the brilliant Zoe Lambert, Kylie Ann Ford and Christina Dawson. The lovely and extremely talented Laura Lindow is the director, Katie Doherty is working with Laura on the song that lies within the piece and Emily Harrison is the Assistant to the Director. The utterly exceptional Jill Heslop is Creative Producer for the project and next week we will be joined by the lovely Kate McCheyne (Stage Manager), as well as two of the women we collaborated with on the piece, one woman from Low Newton prison (out now) and the other from the women’s hub (supporting women on probation). I think that’s everyone.
So the story so far…
Laura and I spent the weekend prior to rehearsals emailing, back and forth with edits and amendments to the script in preparation for Day One.
Day One – We enter the rehearsal room at West End Women & Girls Centre and the very lovely Mary Wilson (our administrator) has put on a spread of cakes and treats, the aroma of coffee and the sound of laughter fills the room – it was a good start.
Laura introduces the project and together we speak about the workshops and the collaborators who are key to the storytelling of SUGAR. The actors look, listen and ask questions. There is a lot to communicate and take in.
Pencils are given out, Laura says ‘right lets read the script’ and stabs herself in the hand with a very sharp pencil. I’m the first aider – rewind – during the introductions I’ve told the story of how I’m a little Catherine Tate when I see injuries, but I’m alright with this one, I’ve got it – Emily reassures me that pencils are no longer made of lead, its granite now and its fine. Laura washes her hand, I bandage it and a sling is sent for (kidding)!
Ok so what happened on day one
I’m always nervous, doesn’t matter if the feedback for the script is good, I’m nervous and at times paranoid. I know the feeling, have felt it before and I’m confident it will pass, want to fast forward to that moment when everyone is happy with the script and it enables the room to flood with creativity and ideas, not got stuck in pot holes and puddles.
The script is read, and games are played. In the afternoon questions are asked and we return to the script and then its home time. Wine is needed!
Day Two – much better. I wake at 6am and start to edit, I like the hair cut the script is getting, am enjoying combing through, being brave in the cuts and wanting to ensure the finish is of top quality. We have one actor today, but that’s OK as SUGAR is a story of three and at the same time one. We spend the morning with a character called Tracy, and we’re transformed back to the hostel in Manchester to the women we met, tears and laughter, along with plates of hot food. It’s a good morning.
In the afternoon, I go back to my desk and phone. I speak to the woman who’s been released from Low Newton, we’re trying to get her up for the performance at Live Theatre, to join the panel, but we need to cross some T’s and dot some I’s first. Laura is joined by Katie, and the song in the piece is heard for the first time… its exciting, so very exciting.
Later Laura and I go over the timeline of one of the characters Julie, we rewind, fast forward and then see a gap. In the edits a vital piece of the story has gone, is missed. I find the line, words and this morning Day Three I’m more than pleased with the save made.
Day Three – We’re sharing two of the actors with another show, so today I’ve been back on script, the final, final edits (for now), Laura’s at home and sometimes on the phone, email, talking with Jill, finding answers, ideas and opportunities. All heads are buzzing and whirring.
Tomorrow is day four and the song of the piece will be unleashed.